At Indiana State University (ISU), a racialized video that one of its students shared went viral, sparking a flurry of criticism. The video, which has since been removed but is still widely shared on social media, includes offensive comments that criticize Black people and raise concerns about their role in the country music industry, which is in line with Beyoncé’s recent entry into the genre.
After Beyoncé’s “Cowboy Carter” dropped on March 29, the video went viral and sparked a flurry of criticism for its blatantly racist elements. The kid says, “I’m sorry, but if you’re Black, you’re not country,” in the video. She perpetuates negative preconceptions and downplays the cultural contributions of Black people, further demeaning their ties to rural life.
Beyond just music, the student has offended and condemned internet audiences with her blatant claim that Black people shouldn’t wear jeans and boots to fraternity events. Users on social media demanded that ISU take immediate action to solve the issue in response to the quick criticism, which led to calls for institutional accountability.
Wynonna Judd’s daughter Grace Kelley hit with prostitution charges after waving ‘Ride for a Ride’ sign while naked on Alabama highway https://t.co/c3WVOrG9dP pic.twitter.com/dXykfbrFpY
— New York Post (@nypost) April 12, 2024
ISU President Deborah J. Curtis released a statement denouncing the student’s behavior and reaffirming the university’s commitment to fighting racism and prejudice in response to growing pressure. Working with student leaders, Curtis reiterated ISU’s commitment to diversity and inclusion while stressing the value of putting students’ safety and well-being first.
These views were shared by the African Student Union and the university’s NAACP chapter, who supported disciplinary action against the offending student. They emphasized the need for accountability and asked ISU to follow its moral code with regard to diversity and inclusion in a unified statement that will serve as a model for coming generations.
Beyoncé’s “Cowboy Carter” becomes even more significant in the middle of the upheaval, igniting conversations about racial representation in country music. The record, which is the second part of her ambitious trilogy, challenges conventional narratives and promotes a more inclusive musical landscape by elevating voices that have historically been underrepresented in the genre.
It is a depressing reminder of the pervasiveness of racism in academic institutions and society at large, especially as ISU deals with the aftermath from the student’s inflammatory video. In order to create a community that values respect, tolerance, and acceptance for all of its members, the institution must address structural injustices going ahead.
Sarah’s View: